Knight planes are modern planes that have
evolved and incorporated the strengths of other wooden & metal,
European and Eastern planes. Once you’ve purchased one of my
planes, you will see and feel that difference. The month/year of
creation, the blade angle, and the order number will be found on
your invoice and on most of the wooden planes. Reference these
numbers for future orders, or follow-up questions you might have
with me.
To keep it at peak form, some effort is
needed to care for a plane, to make it last through your, your
child's, and your grandchild’s lifetimes. The sections below will
help you with the care, tuning and sharpening of your new plane, so
familiarize yourself with these steps. A summary of this
information is included with every plane I ship.
Receipt of a Plane
Your Knight plane comes with fluffy shavings.
It will have been tuned & tested at the Toolworks, proving its
capability. To reproduce that capability in your workshop:
Your wooden plane, like any other piece of wood, will need to
acclimate to your shop, so resist the temptation to do any major
tuning until a day or two have passed. The plane has been
finished and stabilized to minimize movement, but temperature
extremes can affect iron fit and sole flatness. Use the plane
for a while before tuning to get used to the feel and the way it
works.
To make your plane
sole slicker and bring out the grain in the wood, you can lightly
wax the outside of the plane and the sole. Do not wax inside the
plane mouth, or the wedge-these need to stay clean to keep their
tuning. For infill planes or marking knives, wax will help maintain
the shine and minimize metal oxidation. Any good woodworking wax
will do.
In general, avoid
setting your tuned plane down on its sole, to maintain the sharpness
of the iron. Place the plane on its side, or just put it across two
pieces of wood.
Tuning
Tuning your plane lets all its components (Plane body, Plane
Iron, Wedge, and the Mouthblock) work together to make fluffy
shavings:
The iron fits bevel down into the plane body, followed by the wedge:
Some people fit the iron and the wedge with the
plane body in their hands, so that the iron rests on their
fingertips. Some prefer to rest the plane body on a flat block of
wood.

Either way, after inserting the iron, push the wedge snug. The
iron may come out slightly, so using a small (4 to 8 oz) hammer or
mallet lightly hit the strike plate at the beveled rear of the
plane. This action retracts the iron. Now tap the wedge firmly in
place. With my planes, you want the wedge very tight.

After tapping the wedge, you need to check how far the iron is out
of the mouth of the plane. My planes are set for a very light cut
(except for the more aggressive scrub plane) so you only want a tiny
bit of iron protruding.

To
lower the iron, you tap on the head of the iron itself, or the front of the plane. To bring the iron out of
the body, remember you tap the beveled strike plate, not the iron.
For the fine tuning at this point, tapping the
head of the iron or tapping on the left or right side of the
iron is the easiest way to set the light cuts.

If
the iron is protruding too far, you need to go back and loosen the
wedge, readjust the blade, and continue the
process. It is a juggle and takes a little practice. This is
one of the charms of a wooden plane. Please be patient as you learn
to adjust this plane. With a little practice, it is easier than a
metal plane.

The
mouthblock is rarely moved, only to close the mouth of the plane for
more control or to tweak the iron fit. In a tuned plane, the bottom
of the mouthblock is flush with the body. The distance between a
properly fitted iron and the mouthblock is measured in a few
1000th’s of an inch. Once you’ve used your plane a lot, the mouth
may open further, giving thicker shavings and compare them vs. those
I sent with your plane.

To close up the mouth again, loosen the two
screws and lower the mouthblock very slightly. Two very small
surfaces will need to be sanded or filed. Using a full piece of
sandpaper secured to a flat surface, lap the whole length of the
sole with the grain with 320 grit paper to get the mouthblock flat
with the sole again.
The surface inside the plane at the bottom of
the mouthblock, might need to be sanded or filed evenly and lightly
to open the throat just enough that the iron doesn’t touch the
mouthblock. Be sure not to let the corners of the iron extend past
the mouthblock.
Additional Techniques
The Wedge: Sometimes the wedge needs to be tweaked, like when
iron has a tendency to be out more on one side than the other, it’s
probably tighter on that side. When you put the wedge in and feel it
catch on one side first, take a file or sandpaper or chisel and
remove just a small amount from that side. Then check the wedge. It
should hit both cheeks of the plane body at the same time.
The Sole: With uneven planning or using the plane for chamfering
or rounding over, the sole may need a bit of extra flattening. For
the larger planes, temporarily attach some sandpaper on a flat
surface, such as a table saw table or a large granite tile (found at
home centers for about $5).For the smaller planes, either attach it
or just hold it in place by hand. Retract the iron so that it is not
out of the sole, but still firmly holding the wedge in place, so the
plane stresses are about where they’d be during normal use. Now lap
the plane on the sandpaper with firm and even
pressure, checking for
unplanned portions. It helps to mark the sole with a pen over it all,
so that you can see how the flattening progresses. Start no lower
than 180 grit if the sole really needs work, and you can probably
stop around 320 grit.
If you’ve bought a plane with a Japanese blade, here’s another
helpful tuning reference:
http://www.hidatool.com/
There you are! When you see the shavings you can achieve, the
polished surface that is left, and the very fine work that is
possible with these planes, you will appreciate the learning curve
it took to tune your plane up.
Sharpening Basics
There are as many ways to go about sharpening as there are folks
that will do the sharpening, oilstones, waterstones, ceramic stones,
carbide grit on glass (otherwise known as Scary Sharp™). In all
these variations, the basics are to keep the same bevel angle all
the time.

First the back of the iron needs to be flat. It was flattened
during tune-up at the Toolworks, but with a major re-sharpening after
use, you are ensuring that back is flat again. Go through all your
grits (Coarse, Medium & Fine) on the back until it is polished. Then do the edge. Start at your coarse stone and
sharpen the bevel until you have a burr on the edge. This burr is
very small and will not be obvious except with a fingernail on the
back of the blade.

Continue on through the stones or grits until
you are on the finest grit (like a Hard Arkansas, Fine Ceramic,
12000 waterstone or 600 grit sandpaper). Flip the blade over
and re-do the bevel long enough to remove the burr you’ve formed and
the iron is sharp.
General Planning Approach and Hints
There are many other excellent books and articles that provide
overall direction to this topic. Here are just a few tips to get
you started:
-
Before you start on
your work, make sure your plane is tuned up and ready, testing on a
piece of scrap.
-
Secure your work so
that the only things moving are you and the plane.
-
Check the lumber’s
grain direction. To avoid tearout when you plane, make sure you are
working with the general direction of the grain, not against it.
You may plane from both ends of the board if it’s a particularly
curly piece of wood.
-
If you are flattening
a rough glue-up or rough lumber, start with a scrub plane, using it
45 degrees to the grain direction, to hog off the most stock.
-
If you are starting
with a cleaner piece of lumber, start with your jack plane. Take
long even strokes with the grain.
-
Cleanup is done with
the smoother, once the major work has been done by the scrub and
jack planes.
-
Use a smoother or
small smoother for additional surfacing, like chamfering an edge.
-
Check the mouth of the
plane and clear the shavings to make sure you are working the whole
length of the bevel.
-
A light shining across
the lumber will help you determine high and low spots. Mark the
high spots with a pencil to track progress of your work.
© Steve Knight of
Knight
Toolworks
Email:
Steve Knight